Journey to Tomioka

 

Rating: 4  for Studio Ghibli like artwork and supernatural, fantastical power of children

My Thoughts:

If you are a studio Ghibli, Hayao Miyazaki fan and a fan of  Rhoald Dahl, Journey to Tomioka has a similar vibe of tragedy, fantasy and the strength of children. Osamu and his older sister Akiko live with their grandmother. They once lived in Fukushima, but the tsunami hit Fukushima, killing their parents and destroying their home, In addition, the effects of the tsunami started a nuclear meltdown in the area and former residents were displaced. If readers are interested in the real story in Fukushima, direct readers to the graphic novel Meltdown: Six Days of Disaster at the Fukushima Nuclear Plant. 

The small family is as content as they can be even if they can no longer go home. Osamu lives in his own lonely world where he befriends imaginary friends known as yōkai, or spirits. See the connection to Hayao Miyazaki? When Bāchan dies, though, Akiko and Osamu are adamant that they need to return grandmother's ashes to their home

From the Publisher:

For fans of This Was Our Pact and Hayao Miyazaki films comes a breathtaking graphic novel about siblings who risk everything to return their grandmother's ashes to her home inside the Fukushima Exclusion Zone.

Osamu hasn't been the same since that day. When the tsunami hit Fukushima prefecture, it killed his parents, destroyed his home, and triggered one of the world's worst nuclear disasters. Now, all Osamu has left is his grandmother, Bā-chan, and his big sister, Akiko. As he withdraws into his own world, he befriends friends yōkai―spirits only he can see.

Then, tragedy strikes again, and Bā-chan dies. Osamu and Akiko are determined to return her ashes to their family farm in Tomioka, a town within Fukushima's forbidden zone. There, the siblings will face dangerous radiation and yōkai, both friendly and deadly―but they're willing to risk it all to make it home.

Publication Information:

Author: Laurent Galandon

Illustrator: Michael Crouzat

Translators: Owen Smith, Anne Smith

Publisher: First Second (June 9, 2026)

Print length: 112 pages

Grade level: 4-6

Love Makes Mochi (Love in Translation)

 

Rating: 3 out of possible 5  Teacher's Scale: A solid buy for school libraries or Scholastic fairs; great for those interested in yukata couture, Tokyo and queer love.

My Thoughts: 

I originally picked this up for the title, but quickly discovered that Love in Translation is a curated series under the Joy Revolution brand (much like the Rick Riordan Presents imprint). Each book features a different author representing a different culture, following a similar "creative internship abroad" hook.

While the series follows a reliable formula--protagonist travels to a new country (Japan, France, India) meets a local guide, and finds both love and artistic success--this entry stands out as the only one featuring a queer protagonist. In all, love and creative success ensues. 

What I loved most were the atmospheric details. The walks through Tsukiji Fish Market and Ginza felt incredibly authentic -- especially the glazed fruit skewers and tamago, which are staples of our own visits to Tokyo.

This is a quintessential "believe in your gifts" first-love story. While Lilyn faces the pressure of designing a collection that blends her goth aesthetic with traditional yukata couture, the conflict never feels heavy-handed. It's not angsty or stressful; instead, the story lives up to its title--it is soft and sweet as mochi.  

From the Publisher:

Lilyn Jeong is living her best life—in Tokyo! She gets to learn from the legendary yet notoriously terrifying tailor Mrs. Matsumoto. Getting a glowing recommendation from her could be Lilyn’s ticket into her dream fashion school.

So when Lilyn is tasked with designing an entire collection, panic sets in. She has only weeks to figure out how to mix her goth aesthetic with traditional Japanese style. Thankfully, Mrs. Matsumoto’s rebellious, tattooed, rainbow-haired daughter Yua offers to help.

But going on cozy dates with this cute girl is way easier than sewing yukatas. Can Lilyn find a path forward in fashion and love? Or will she watch as everything falls apart at the seams?

Publication Information:

• Author: Stefany Valentine
• Publisher: Joy Revolution
• Publication date: January 27, 2026
• Print length: 320 Pages
• Book 3 of 3
• Grade level: 7-9

Hibakusha

Script: Thilde Barboni
Artwork: Olivier Cinna

Description:

Ludwig has never been a soldier. A childhood injury left him lame in one leg, which has allowed him to largely sit out the war on the sidelines, as a translator. Fleeing his passionless marriage, he accepts an assignment in Japan, allowing him to return to the land of his youth. But the year is 1945. It is not a good time to be Japanese, or German… much less stationed in Hiroshima. Ludwig is tempted by love and, in furtively tampering with his translations of classified documents, by the chance to do something heroic. But none of that will save him...

My Thoughts:

Hibakusha is the Japanese term for survivors of the atomic bombs in Hiroshima or Nagasaki in 1945. To read about the personal experience of Hibakusha, try Barefoot Gen, a graphic novel series by Keiji Nakazawa. There is also a very good multigenre novel titled Sachiko by Caron Stilson.

This is a fictional love story of a German translator and a Japanese woman in Hiroshima in 1945. What makes this intriguing is that the author starts with the haunting images of people's shadows incinerated in stone.

When I was a child, my mother and I lived in Japan so she could teach English at a Japanese high school. My maternal grandmother had family in Hiroshima so on our school holidays we would catch the shinkansen, bullet train, from Osaka to Hiroshima to stave off our homesickness by visiting relatives. At seven, I visited the peace memorial in Hiroshima and the image of the stone with the shadow of the person that was sitting on that stone continued to haunt me. Like the shoes in the Holocaust museum in DC, the shadow on the stone has stayed with me all these years. I can understand, then Barboni's desire to create a story around the shadow in the stone.

In her own haunted imagination she wonders if the stone can remember. She wants to know if the soul of the person memorialized in the stone can be immortalized in the rock. That is what is most fascinating about this story. 

A digital copy provided by Net Galley and the publisher for an honest review.